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Heed

I’m delighted to be guest posting today for 31-days of poetry with Sarah Askins.

photo by damaso reyes

I’m not a poet in the truest sense but have “scribbled-with-intention” here and there.

My poem, Heed, is about struggling and simply getting…through…the…day.

The holidays, for many, can be particularly difficult to get through. But knowing that you’re loved offers great comfort…illuminating comfort.

Here’s the link:  31-Days of Poetry

Jean-Baptiste-Camille-Corot "Woman Reading"

Jean-Baptiste-Camille-Corot “Woman Reading”

Today, I’m writing over at The Dark Jane Austen Book Club.

We’re discussing Lyme Regis, the Cobb, Dreaming of Mr. Darcy, and Jane Austen of course.

Here in New York we’re still reeling from Hurricane Sandy and now (to add insult to injury), a nor’easter.

photo by scottnj from flickr

I spent the morning swatting snow off tree branches with my broom.  It was quite a sight.

Because of the weight, the incredible heaviness of wet snow, I made an attempt to save numerous branches from snapping.  This snow, this heavy snow, this abominable blanket of sludge is like salt on an open wound.  Even the trees are suffering here in the northeast.

It’s a wicked sight, looking up my block (and I’m in one of the more fortunate sections) at yellow “caution” tape decorating various homes.  And this morning, due to the nor’easter, broken limbs and branches litter the road.

Visually and audibly changed as we’ve become accustomed to the sound of sirens here in Long Island. I miss the sound of birds.  Give me birds.

Now and then, I’ll visit Facebook and am forced to enter into “normalcy” as I read posts by friends living outside of the area.   Posts of children in cow costumes from Halloween; posts about writing and music and politics (well, not so much politics after Tuesday….thank God).

Intertwined with posts such as:  “My friend needs a home” and “I’m delivering cleaning supplies to Island Park tomorrow, please donate.”

And lately the happiest post of all:  I HAVE POWER!

Facebook and twitter are like…alternate realities.

In the midst of it all, throughout the storm, I’ve been reading The Skin Map by Stephen R. Lawhead (recommended by a friend) about alternate realities.  Isn’t it amazing when a friend gives you the right book at the right time?  Providence…that’s what I say.  Providence!

The Skin Map, in short, speaks of the “omniverse” opposed to the “universe.”  It presents intersecting realities that unravel the “future of the future” within the genres of ancient history, alternate realities, physics, and philosophy.

It’s amazing how the words of books speak volumes to you when going through similar situations.  Not that my alternate reality is taking place in London in 1606, but it’s an alternate reality all the same.  I’ve never lived through a quasi-Katrina-like existence.

My reality is a bit of The Skin Map and, say, Ethan Frome right now.

Okay?  Understand?

All I can say is prayer is in high-gear and thank you God for coffee.

I’m taking my first few sips right now and thinking of alternate realities…like the beach in summer.

*   *   *

…between hemlock boughs bent inward to their trunks by the weight of the snow.  I had often walked that way on Sundays, and knew that the solitary roof showing through bare branches near the bottom of the hill was that of Frome’s saw mill.  It looked exanimate enough, with its idle wheel looming above the black stream dashed with yellow-white spume, and its cluster of sheds sagging under their white load.    

From Ethan Frome by Edith Wharton.

photo by Jeanne Bifulco

A monster, a zombie, or a silent house?  Which is the scariest?

Photo by Cecily McGuckin

The last…according to Edith Wharton.

And she’s not the only writer (or artist) of that opinion.

I remember reading an interview with Sir Anthony Hopkins years ago. He was asked about his portrayal of the character Hannibal Lecter in The Silence of the Lambs.   How did he go about playing the role of such a frightening character?

Mastering the art of stillness.

That was the key.  I remember him saying that the combination of his physical stillness — along with the activity that went on behind his eyes — was what made the character so frightening. Remember him standing perfectly still in that prison cell?

The Ghost Stories of Edith Wharton, a collection of short creepy stories, uses the same approach.  No blood.  No fangs.  No outright monsters.  Just layers of silence, stillness, confusion, and doubt.  Unsettling stuff, indeed.

The last story in the book, All Souls’, is told by a narrator.  It’s a story about a cousin who has fractured her ankle and must remain in bed until the doctor returns on Monday.  That night, as a snowstorm hits, she struggles to remain calm within a large house in a remote countryside.  In the early hours of morning, she is in agonizing pain.  She calls her servants. No one answers; the phone has been disconnected.  She’s forced to crawl through the large empty house looking for life.  Where has her trusty maid gone? Where is the butler?  Poor Mrs. Clayburn.  Snowbound with a broken leg à la James Caan in Misery 

Only silence:

More and more the cold unanswering silence of the house weighted down on Mrs. Clayburn.  She had never thought of it as a big house, but now, in this snowy winter light, it seemed immense, and full of ominous corners around which one dared not look…More than once she had explored the ground floor alone in the small hours, in search of unwonted midnight noises; but now it was not the idea of noises that frightened her, but that inexorable and hostile silence, the sense that the house had retained in full daylight its nocturnal mystery, and was watching her as she was watching it…